So I’m a part of a residential college here at school, right. That’s where my arts+humanities part plays into my major. And this college (called RCAH) has afforded me so many fantastic opportunities. I’ve been able to see a touring group who perform songs and skits about the Edmund Fitzgerald and the Great Lakes (as well as participate in a personal Q+A with them); I’ve heard Orhan Pamuk, Nobel Prize in Literature Laureate, speak; and tonight I had the opportunity to go listen to Margaret Atwood, famous Canadian author and poet, speak. All for free, of course (that’s right, be jealous).

Of course she was fantastic. I was struck by her wonderful sense of humor and yet how she managed to stay so dignified throughout. She talked about the process of writing one of her latest books, Payback: Debt as a Metaphor and the Shadow Side of Wealth, wrangled in charming and witty anecdotes about her first book signing in a men’s underwear department, a parrot she knew of who was very intelligent and social, and told us about “what’s been on my mind lately”.
So what’s been on Margaret Atwood’s mind? She’s from Canada, but American politics was on her mind. The recent election of Barack Obama, the change in Americans (“Although they never really were the same even before that”). She’s been thinking a lot about the themes behind her book, Payback. And in a mere hour and a half, she took us through an analysis of every tiny possible meaning of payback — from revenge, to debt, to credit, to social propaganda, to advertising, to chimpanzees… as well as the intricate implications, meanings, connections and interpretations of each. She could make an observation into the human psyche out of anything. And she even told us a little story about a modern Ebeneezer Scrooge (named “Scrooge Nuveau”, as opposed to “Scrooge Original” (pre-ghosts) and “Scrooge Lite” (post-ghosts)).
Today I learned just how much conscious effort and thought goes into a novel.
I should say “into a GOOD novel”, since there are plenty of shallow, brainless novels out there. And this is a bit of a surprising lesson for me. I’m no stranger to reading and writing, as you can probably figure out by now. And I’ve written plenty of fiction in my time, including several novels that are under deep and heavy construction (been working on them for some time and are doubtful to be finished soon). And I’ve done plenty of research and graphing and charting and brainstorming and connecting. I get a kick out of it. It’s like eating a giant, warm, delicious sandwich when you’re absolutely starving. There’s something inherently satisfying about digging deeper into the themes of humanity and exploring them in an insightful, complex plot of characters and relationships that symbolize and represent so many other things.
But Atwood seems to take it to the next level. Sure, I’ll make up two characters who are supposed to represent something and pit them against each other in a struggle remniscient of a social problem, while using language to manipulate the feeling of it all. But Atwood takes something simple and abstract — like the idea of payback — and runs with it. She draws up theories, models and parables. She takes basic, unrelated ideas like revenge and credit and juxtaposes them together, only to end up with an analogy of the human experience that actually makes sense. It was utterly remarkable.
It was also inspiring. Although I tell the world my goal in life is to be a journalist, my first and true passion is writing — creative, fictional story writing. I just want to make money, too, hence the journalism “fallback”. Hearing Atwood describe her creative process made me want to re-settle myself into my own creative process, like I used to do before college and boyfriends and massive lengthy homework assignments came into my life. Who knows? Maybe I will.
ps: The title? Atwood came onto the stage in a red shawl and announced to the audience, “Someone told me earlier that I looked like a q-tip on fire.” Pause. “Well, I guess it’s better than looking like a q-tip that isn’t on fire.”